"So Many Years Of 'Mixing In'....."

It is not a well known practice within the ages old lore of painting, yet it is though an especially endearing and timeless tradition among some artists. 

One that I have learned over time to so appreciate. There is such a process of trial and error to it. 

It begins with the selection of just the right paints, and is then blended only with certain other elements. 

But though the results may not be apparent, the hidden meanings of these mediums feel so very profound.

This is the practice, the painters slow artistry and discipline of 'mixing in'. Where select very small amounts of silt or earth, tiny particles of desert or coastal sand, maybe bits of crumbled leaves, possibly ash or charcoal from old campfires, even pure rain or ocean waters, or the strands of some wild ones' fur - among other unique elements, are gathered from chosen wild places, and other power places. 

Then they are very carefully mixed in with these paints. This technique makes the paint come alive; with a brush that takes to this blending, and is then applied so slowly in swirls and layers and coatings.

Within my own naive renditions of mountain ranges, forests, waters, sky's, and fires are often found such mixings. They then become an elemental part of these Summit Stones that I am sure the Finders can sense when they are held closely.....  DSD